Feed on
Posts
Comments

Although drought continues here in Piedmont North Carolina we had fresh corn on the cob last night–the first of the season for us.  In addition to the corn we also managed to find a few ripe grape tomatoes, green bell peppers, and jalapeno peppers.  The three different varieties of summer squash that we planted are producing more than we can eat and/or give away despite the lack of rain.  While we have already picked and prepared green beans several times this year, the dry conditions threaten how plentiful any remaining harvest will be; however, the winter squash we planted (butternut) seems indomitable in our increasingly arid climate.  Our blueberries and blackberries have held up surprisingly well; but, they, too, are bracing for the unrelenting onslaught of Japanese beetles, which have now begun to lace the leaves of the blackberry bushes, glut themselves on ripe fruit, and breed on every leaf they have not already consumed.

Our weather forecasts tend to be more wishful thinking than they accurate predictions.  There have been rain dances in Atlanta conducted by shamans from various Native American tribes but I’m going with the Temptations, at least after the fireworks are over.

Sunshine, blue sky, please go away…
I wish it would rain (oh how i wish that it would rain)
Oh let it rain, rain, rain, rain (oh how i wish that it would rain)

The Temptations — I Wish It Would Rain

Last Saturday night we caught the final performance of Godspell at the Open Space Cafe Theater in Greensboro.  A good friend had recommended this particular production to us with glowing terms; she found the musical very entertaining even though she admitted that she was a bit weak on the finer points of the New Testament and the Gospel of Matthew–she’s Jewish.  She also sings and is a musician.  Her enthusiasm for the show was justified.

The performance was indeed entertaining, which I felt owed its greatest debt to the actors who engaged the audience in just the way the original stage direction seemed to indicate was necessary for the play to be successful–if the play appears too polished or too slick, its message runs the risk of being considered glib or even trite.  I vaguely recall when Godspell was first introduced in 1970 or 1971.  At the time, I remember that I considered it a kind of fundamentalist retort to Jesus Christ Superstar, which I much preferred to Godspell and liked well enough to purchase a recording of the soundtrack–I think I still have that old vinyl around here somewhere.  Sifting through the few memories I could recall from that time period, Day By Day, seemed to be the only notable song from Godspell whereas almost every song from Jesus Christ Superstar was instantly recognizable.  Day by Day lilted wistfully, and, in some ways, predictably while most of the songs featured in JCSS contained the elemental tension people face in lives that are challenged through matters of faith (I Don’t Know How To Love Him,for example), they are also more memorable since their foundation is rock music and not a church hymnal as was the case with Godspell.

Sometimes too much information can be as limiting as too little; consequently, I often do more in depth research on a play after I’ve seen it performed rather than before.  My method is probably counter intuitive to most; however, my penchant for over thinking is less likely to impede my ability to view the performance without preconceptions or unrealistic expectations if I come prepared more as a noble savage than as, well, a member of the pontificating array of philosophers/thinkers with which Godspell begins.  Post performance research reinforced my general attitude toward the actors, the staging, and the dynamics of the former and latter within the context of the play itself.  My investigations also reinforced my initial reservations formed decades ago about Godspell as a vehicle for the cargo it meant to transport.  I think the play itself fails in that regard; however, that is a matter of my own personal preference rather than a commentary on the skill and talent of the actors who labor in the variously articulated roles.  I just did not see how the concept of community was defined and solidified through the principal character, Jesus, the people, and his disciples as the original director’s notes indicate should be the case.  I have difficulty believing that this can be accomplished regardless of the actors selected for the various roles.  While the archaic spelling of Gospel suggests novelty and, perhaps, intimates that a revision or reinterpretation of the gospel’s meaning in light of current events will follow, it falls short despite references to foreclosures and sky-rocketing fuel prices.  OSCT’s performance of Godspell didn’t devolve into a vaudevillian band of merry pranksters bent on one-upmanship; however, the nature of play tends to teeter toward that precipice, nonetheless.

On balance Joe Nierle, the actors, and all of the OSCT crew did a commendable job and we were rewarded with an evening of great entertainment.  OSCT offers a different kind of live theater experience without sacrificing quality in either material or actors.  The informal nature of the venue promotes a more  communal atmosphere and helps to remove the barriers which tend to isolate the actors from the audience:  in a very real sense, and certainly with regard to Godspell, the audience becomes part of the performance.

The remainder of OSCT’s 2008 season promises a rich range of plays: Crowns; Blood Brothers; Blithe Spirit; Sander’s Family Christmas.  Based on past experience, there isn’t a bad choice in the lot, so why not make a point to see all of them?

Feline Felicity

It has been roughly six months since I took the plunge to purchase iFamily for Tiger, a relative newcomer to genealogy software for Macs. I had reservations about the product at the outset triggered initially by the its name, iFamily for Tiger. With Apple already promising Leopard on the horizon I was concerned about the viability of the software especially if I chose not to become an early adopter of Apple’s newest operating system. My concerns led to an interesting and amusing chain of emails with the developer, Keith Wilson. As our exchanges progressed, I was convinced that my initial concerns were unfounded. Keith has not only produced an excellent product at an unbelievable price(upgrades are free!), he is exceptionally attuned to his user base and provides unparalleled service with obvious good will topped off with a welcome twist of wry humor! While there are a few features in iFamily that are only available to those who have upgraded to Leopard, they are completely transparent to those who continue to use Tiger. I plan to upgrade to Leopard when Apple resolves a few more issues that exist with the operating system so I was pleased that the improvements to iFamily were not exclusively for those who had made the switch to Leopard.

I had tested several genealogy programs for Mac: Reunion 9, MacFamilyTree 5, Heredis, Genealogy Pro, PAWriterX, and a few more whose names elude me at present before I finally demoed iFamily for Tiger. For starters, $100 was way too steep a price to shell out for Reunion 9–it just didn’t seem worth it to me despite its apparent dominance in its category for Mac software; and, I also found that its crippled demo was incredibly short-sighted considering the cost of the product. MacFamilyTree was better but the glowing reports regarding the software that I had encountered were for the old version, 4.5.  I visited the support forum of the latest version where the user comments and the company’s responses read like a script to a modern day soap opera or perhaps a mystery miniseries which revolved around the on-going, suspense-filled question: Will they ever get it right? To be frank, I liked iFamily from the start but it lacked a feature of being able to generate an HTML file, which could be published on a web site. That capability was already built into Reunion and MacFamilyTree and it seemed as if I would have to resort to other means to accomplish HTML generation with the data maintained in iFamily. As requests for this feature increased on iFamily’s support forum, Keith responded by implementing it in style–the resulting file looks so good that it is fun just to generate an HTML file and burn it to a CD or DVD for family members to view on their own computers, PC’s or Macs. iFamily has continued to mature with the addition of features and enhancements, which, in many cases, are a collaborative effort involving specific requests submitted by forum members and the developer. Equally as important as the maturation of the software is the restraint Keith has shown by not sacrificing quality for unnecessary bells and whistles and performance degrading bloat. iFamily for Tiger, Leopard, or Snow Leopard, this cat just purrs!

Pirated

Sadly, Sunday night’s performance of Bloody Blackbeard was one of the least interesting productions I have seen at Triad Stage in quite some time. I refrain from using the term “worst performance” because more goes into the finished product of a play than what is written by the playwright; indeed, several actors gave compelling performances, specifically, the actor with the role of the mature Blackbeard. The actors were not able to overcome the inherent weakness of the play. The play was tedious, even boring and certainly lacked direction. The playwright just never managed to decide what the play was about. Was it a comedy, a musical, serious fare, southern Christian symbolism with overtones of Jungian psychology? Even Laurelynn Dossett’s music could not help redeem over two hours of confusion; although the outstanding set design, an unfailing hallmark for the every production I have attended over my duration as a season ticket holder, was the unequivocal high water mark of the evening.

While we may have to suspend disbelief to enter into the world of live theater, once we accede to that premise we should be able to discern some internal logic or structure or pattern by which to observe and participate in the thesis of the imaginary world which has been created for us. The cliched use of piratic alliteration pointed the play in the direction of a quasi-Disney movie interspersed with comedic interludes; however, the simulated gang rape near the end of the play is not something one generally associates with comedy; although, I actually observed many in the audience laughing, perhaps, that was one way of expressing either their discomfort or their disbelief. Those familiar with internet abbreviations might consider WTF! a more apt response. I have no puritanical ax to grind with regard to specific content of a play; in fact, the subject of rape was handled with artistic realism in From The Mississippi Delta but it mattered to the telling of the story whereas in Blackbeard it was an embarrassingly awkward appendage, or perhaps more metaphorically correct, it was a shameful display of dead low tide sensationalism. Cliches notwithstanding, the staccato delivery of lines which footnoted the action with bits of information (I suppose to maintain some semblance of historical accuracy or legend consistency–who cares, it’s a play!), were largely incomprehensible so that what was supposed to inform us turned into complete gibberish.

Beyond the bizarre introduction of gang rape into a production, which has seemingly been promoted as a family fun play, aping but failing to achieve the campy élan of Johnny Depp in Pirates of the Caribbean, I found I really didn’t care about the subject matter at all. Blackbeard as a central figure as written in this particular play was simply boring. I found it impossible to believe that the sea exerted some mysterious, almost supernatural power over the young Edward Teach, nor was I able to parlay that notion, even if I accepted it for arguments sake, into a soul lost to the powers of evil, an incarnation of Satan itself. And, really, who in the world can believe the scenes with the wholesome, innocent girl who attempted to redeem and reform Teach, as she forlornly sings of her betrayed love following her gang rape by Teach’s crew, which was instigated by the infamous pirate himself? Come on, Preston!! This isn’t the Emperor’s New Clothes where the audience is appropriately duped into believing they are witnessing the finery of high art when in fact they are the true spectacle, naked and adoring in their ignorance.

Two things: This doesn’t bode well for next season’s production of Ghost; and, Open Space Cafe Theater is looking more and more promising as an option to continuing as as season ticket holder at Triad Stage.

Father’s Day, like a number of other holidays or special occasions, owes its existence to clever marketing campaigns designed to extract as much profit as possible from an often overly sentimental and gullible public by appealing to emotions, when in the proper context, are not only genuine but ennobling. While free enterprise is well able to defend itself from its detractors, it is easy prey to its own success. However one wishes to frame one’s objection to the effects of rampant commercialism, one cannot deny that the success of such ventures lies in the skillful manipulation of what remains at bottom as something which contains at least a kernel of truth.

Taken together, fathers and sons have always been subject to a palpable dynamic of love and hate, or at least similar emotional states which describe the creative tension that accompanies the collision of the past and future–standing side by side, father and son embody what has been actualized and what may yet become. The father may represent both failure and success; he may be an agent of change through attraction or repulsion; or, what is probably a more accurate view, a father, a various times throughout his and his son’s life, are all of these.

My experiences with my father are etched into my memory and attached to events that often lie forgotten until some shade of light, a spoken phrase, or even the feel one might have when entering a room, triggers their recollection. Time graciously provides us with the marvel of reflection; it offers us the opportunity to resolve our conflicts if we are wise enough to probe the obvious or to recognize it when it is so.

My dad and I were so often thunder and lightning that our explosions and flashes blinded and deafened us to each other, especially after I reached puberty and throughout the years I sprinted toward manhood. For all of the fireworks, there were episodes that defied rational explanation, that didn’t fit into the either or transit of our daily lives. While I confess to several fond memories involving my father and me, one is vivid and strong as much for its unusual character as for its tenderness. I was very sick, which was a more frequent condition for me when I was a child than has ever been the case since I became an adult. Whatever my illness at the time, I must also have been feverish as I recall waking and seeing my father kneeling quietly beside my bed. He spoke but I cannot remember a single word he said to me; he stroked my face and head. And strangest of all he brought me a gift, a porcelain Boston Bull terrier. While the smooth surface of the tiny statue was cool and calming to touch, it bore no significance to either of us in our daily lives; it wasn’t a dog that I had always dreamed of, or the kind of thing I played with, nor did it relate to anything I can ever recall my father speaking about. As the character of elemental events go, this was as much a non sequitur as I have ever encountered. Perhaps, for both of us, love, in the way it had to be for us could only find truce in an object which was not overpowered by our own personalities, to love each other fully we needed neutral ground. Although I was so very young, it may be providential that my father somehow presaged our fate, or at least a fundamental part of it which lay between he and I, and brought the only offering of love that would not wound either of us but allow us to become unconventionally whole, something that both of us would need throughout the remainder of our lives.

Our memories probably differ, my dad may see me as I see my own son–I hope his life has been as full as mine has been, and that my children will have as beautiful a memory of me as I have of him.

Older Posts »

Bad Behavior has blocked 122 access attempts in the last 7 days.